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crane, underwater camera).įor all other questions about how a scene will go, or confusion about how something happens. If a scene requires the use of more uncommon equipment, (e.g. Specific costumes needed for production, and also for continuity if a costume gets ripped up, or dirtied throughout the production.Īny make-up or hair attention needed. Sounds or music requiring specific use on set. The film industry has a standard for color-coding: Element color codesĪny stunt that may require a stunt double, or stunt coordinator.Īny extra needed to perform specifically, but has no lines.Īny extra or group of extras needed for the background.Īll objects important to the script, or used by an actor.Īny vehicles, and all animals, especially if it requires an animal trainer. By the end, the producer will be able to see which scenes need which elements, and can begin to schedule accordingly. To ease future production, an assistant director marks the elements found in each scene. This whole process of the script breakdown however is not to be confused with character breakdowns utilized with casting calls, this is an entire different process with similar names, however administered by two entirely separate departments.

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Most of the script and production computer software out there comes in both Microsoft and MacOS versions, and even though there is competing software on the market, these which are listed are considered to be an entertainment industry standard.

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This information can easily be imported over to Movie Magic Scheduling to create a digital production board, and then easily imported over to Movie Magic Budgeting to create the entire production budget. This process is more easily done nowadays utilizing a computer than done manually, with features inside Final Draft called tagger, or utilizing tagging mode inside Movie Magic Screenwriter, another effective computer program.

FINAL DRAFT TAGGER NOT OPENING CODE

Which is to code the entire cast, extras, props, special effects, stunts, wranglers, picture cars, wardrobe, make-up and hair stylists, special equipment and or cameras, ADR,įoley, film scores and soundtracks etc., which are all broken-down with different colored marker highlights within a shooting script.Īfter which, these highlights are then organized and broken-down into strips to organize the production schedule within the actual physical production board. In particular, literally breaking down the script is a very a thorough and detailed creative analysis of dramatic action in filmmaking, highlighting the reciprocal struggle, theme, and design elements of a screenplay. However, many film directors, film producers have knowledge of breaking down a script. This process is a very tedious and complex task, and is usually the responsibility of the Assistant Director or first or 1AD within the production staff of any given production company. Within these lists, are in essence the foundation of creating a production board, which is fundamental in creating a production schedule and production budget of an entire production of any film or television program in pre-production. In film and television, a script breakdown is an analysis of a screenplay in which all of the production elements are reduced into lists.

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